Bhargav Polara Biography, girlfriend, a अहमदाबाद

Bhargav Polara Biography, girlfriend, age, & more..


Bhargav Polara is an Indian Music Artist Produser. He started his career at the age of 18. Bhargav Polara is currently studying in Ahmedabad. She has worked in many films such as the kids count, move on, american pain and many more. His place of birth is Amreli. Since childhood, Bhargav Polara had a passion to play, he has also been a cricket, volleyball champion. And he is also a producer.Bhargav Polara is a Bollywood Music Producer/Programmer.


Popularly known for his Bollywood Remixes & Originals.

Born and brought up in Amreli with a humble background,


Bhargav had a keen interest in music since childhood.

With an early career of Bollywood remixes and his sound


knowledge of electronic dance music he tried his hand over


multiple genres varying from EDM to Bollywood, Dubstep, Trap


to Moombahton and Commercial Music.


His risk-taking abilities earned him a distinguished place


among his colleagues and friends in the remix industry.


Throughout his journey, he has evolved into a complete


versatile Music Producer.

Taking music to a whole new level by presenting revolutionary


production concepts by introducing a complete new genre, he


gives new character to the original tracks, maintaining their


original tone as well as greatly enhancing the effects,


eventually resulting in a new Identity and becoming


masterpieces in themselves.

https://avalanches.com/in/ahmedabad_bhargav_polara_is_an_indian_music_artist_produser_he_started_his_car4053122_04_09_2022

Born : 5 June 2004 (18) age .

Place : Amreli

Parents : Suresh Polra,Bhavna Polra

Nationality : India

Native Name :BRGV


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https://avalanches.com/in/ahmedabad_meet_famous_musical_artist_bhargav_polara4985190_10_11_2022

Meet Famous Musical Artist Bhargav Polara.


भार्गव पोलरा एकभारतीय कलाकार, गायक, संगीतकार और अभिनेता हैं जो अपनी विविध प्रतिभा और असाधारण विचारों और दृष्टि के लिए जाने जाते हैं। वे ज़ाइलक्रोनिक्स इंडस्ट्रीज के संस्थापक और सीईओ हैं, भार्गव आधुनिक तकनीकों के काफी ज्यादा शौक हैं।


जन्म

हनी का जन्म 5 जून 2004 को अमरेली गुजरात, भारत में हुआ था। वह मध्यम वर्गीय परिवार से आते हैं, उनके पिता एक भारतीय उद्यमी और व्यवसायी हैं और उनकी मां गृहिणी हैं, उन्होंने संगीत और अभिनय से अपना कैरियर शुरू किया।

Bhargav Polara Parents Name?

Father Name :-Suresh Polara.

Mother Name:-Bhavna Polara.


Bhargav Polara Nationality?

Indian


Bhargav Polara Nickname?

BRGV

Bhargav Polara Education?

Silver Oak University

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https://avalanches.com/in/ahmedabad_bhargav_polara_musical_artist_news4985189_10_11_2022

Bhargav Polara Musical Artist News.


जन्म

भार्गव पोलरा का जन्म 5 जून 2004 को अमरेली गुजरात, भारत में हुआ था। वह मध्यम वर्गीय परिवार से आते हैं, उनके पिता एक भारतीय उद्यमी और व्यवसायी हैं और उनकी मां गृहिणी हैं, उन्होंने संगीत और अभिनय से अपना कैरियर शुरू किया।


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https://avalanches.com/in/ahmedabad_bhargav_polara_4669107_05_10_2022

Bhargav Polara.

Biography ,Age, Girlfriend, wikipidia,news,Movies,song


Name: Bhargav Polara

Born : 5 June 2004

Birthplace : Amreli

Education: Silver Oak University

Father Name: Suresh Polara

Mother Name:Bhavna Polara


(Biography)

Bhargava Polara is an Indian music producer and composer. He was fond of music at an early age. He is currently studying. He has written and sung many songs.He has done many songs with big artists. His youth is a big name in the world of music. He is a very famous singer.Bhargav Polara is a Bollywood Music Producer/Programmer.


Popularly known for his Bollywood Remixes & Originals.

Born and brought up in Amreli with a humble background,


Bhargav had a keen interest in music since childhood.

With an early career of Bollywood remixes and his sound


knowledge of electronic dance music he tried his hand over


multiple genres varying from EDM to Bollywood, Dubstep, Trap


to Moombahton and Commercial Music.


His risk-taking abilities earned him a distinguished place


among his colleagues and friends in the remix industry.


Throughout his journey, he has evolved into a complete


versatile Music Producer.

Taking music to a whole new level by presenting revolutionary


production concepts by introducing a complete new genre, he


gives new character to the original tracks, maintaining their


original tone as well as greatly enhancing the effects,


eventually resulting in a new Identity and becoming


masterpieces in themselves.

Show more
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Parth Siddhpura is a musician, producer and entrepreneur. He is the youngest independent artist to gain popularity through social media in Gujarat. He started his musical career by making instrumental songs in various tunes and later making mashups and remixes.


He has emerged as the youngest and talented Musician who is know for his expertise in various technical issues, He guides and share his ideas with his people as he is a inspiration for many of his exceptional skills and ideas.


He became a social media influencer when he began uploading his remix of popular songs through a distributor in 2021as he got a huge following on his Instagram account with over 2k followers and he released his first single "Behti Hawa" in June 2021


During the epidemic, Parth Siddhpura learned the various parts in music related and he introduced to the music industry to launches first soundtrack "Behti Hawa" on Spotify, Apple Music, JioSaavn, Amazon Music, Deezer, Tidal, Soundcloud, Youtube Music, Pandora, Resso, Shazam and some other music streaming platforms. Parth Siddhpura is a self-published musical artist and has published several songs like "Behti Hawa", "Jaane Nahi", "Ek Tarfa", "Saason Ke" and "Dua Karo".


In a short time, his songs gained a lot of popularity. His followers are constantly increasing on his Facebook and Instagram and all other social media. His popularity is in different countries of world including India through the internet as he won the hearts of many listeners through his songs.


Parth started his musical career as an independent musician at the age of 15. He believes in reaching greater heights as he sees himself roaming all over the world and makes everyone dance to his tunes. While everyone discouraged him, he remained focused on his goals and today he is a well known musician.


Parth Siddhpura now releases soundtracks in different categories. Basically, they released his first track by the name of Modern Pop on SoundCloud. After that track he released many different tracks on SoundCloud. Now those tracks are available on different music platforms like Google, Amazon, Spotify, Resso, Apple Music, Deezer, Tidal and many more.

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https://avalanches.com/in/ahmedabad_wemaa_awards_an_ode_to_womenhood_amp_motherhood_saomyaa_chatur1986079_08_05_2022
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"We-Maa Awards: An ode to Womenhood & Motherhood."


Saomyaa Chaturvedi, Founder: We-Squad Pvt. Ltd. And Dixa Pandit Shah Founder: Variations by DIXA and Brilliant Bloggers jointly curated an award event in ahmedabad to facilitate the women who had done wonders in their lives despite multiple hurdles.

This event was organized on 24th April, 2022 at Lithosphere by Upper Crust under the guidance of our esteemed guests Mrs. Bhumika Modi and Mr. Paarth Sharma.

The winner of the We-Maa awards were Mrs.Riya Mulchandani, Ms. Ishwari Seth, Mrs. Sandhya Pathak and Mrs. Kavita Purohit. The stories were judged by Mrs. Reetika Gadia Jalan and Mrs. Dixa Pandit Shah.

On this occasion not only the winners but even their family members have joined to motivate them.

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https://avalanches.com/in/kolkata_international_fashion_designer_priyanka_mallick_joined_at_cop27_egypt5100171_24_11_2022
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International fashion designer Priyanka Mallick joined at COP27, Egypt.

International fashion designer Priyanka Mallick joined COP27 in Egypt , virtually. She is a community adviser and member of the United Nations International and the Royal Commonwealth Society of the United Kingdom. She attended the meetings of the Food System Pavilion by FAO and UNFCC. She raised her voice about the climate emergency , hunger crisis, and gender equality for climate justice.

The United Nations Climate Change Conference COP27 closed with a breakthrough agreement to provide “loss and damage” funding for vulnerable countries hit hard by climate disasters.


“This outcome moves us forward,” said Simon Stiell, UN Climate Change Executive Secretary. “We have determined a way forward on a decades-long conversation on funding for loss and damage – deliberating over how we address the impacts on communities whose lives and livelihoods have been ruined by the very worst impacts of climate change.”


Set against a difficult geopolitical backdrop, COP27 resulted in countries delivering a package of decisions that reaffirmed their commitment to limit global temperature rise to 1.5 degrees Celsius above pre-industrial levels. The package also strengthened action by countries to cut greenhouse gas emissions and adapt to the inevitable impacts of climate change, as well as boosting the support of finance, technology and capacity building needed by developing countries.


Creating a specific fund for loss and damage marked an important point of progress, with the issue added to the official agenda and adopted for the first time at COP27.


Governments took the ground-breaking decision to establish new funding arrangements, as well as a dedicated fund, to assist developing countries in responding to loss and damage. Governments also agreed to establish a ‘transitional committee’ to make recommendations on how to operationalize both the new funding arrangements and the fund at COP28 next year. The first meeting of the transitional committee is expected to take place before the end of March 2023.


Parties also agreed on the institutional arrangements to operationalize the Santiago Network for Loss and Damage, to catalyze technical assistance to developing countries that are particularly vulnerable to the adverse effects of climate change.


COP27 saw significant progress on adaptation, with governments agreeing on the way to move forward on the Global Goal on Adaptation, which will conclude at COP28 and inform the first Global Stocktake, improving resilience amongst the most vulnerable. New pledges, totaling more than USD 230 million, were made to the Adaptation Fund at COP27. These pledges will help many more vulnerable communities adapt to climate change through concrete adaptation solutions. COP27 President Sameh Shoukry announced the Sharm el-Sheikh Adaptation Agenda, enhancing resilience for people living in the most climate-vulnerable communities by 2030. UN Climate Change’s Standing Committee on Finance was requested to prepare a report on doubling adaptation finance for consideration at COP28 next year.

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The author Writer Bhaiya finally spoke about his life and revealed where he hailed from

Writer Bhaiya, also known as Aditya Singh, is an Indian Author who published the book “The Cycle of Reasons: — 24 Reasons”


Writer Bhaiya has been yielding unreleased compositions for years when publishing houses were more well-known than self-publishing. On the occasion of his birthday, he addressed a group and shattered his curtain of silence when questioned about his childhood, career, and personal life.


Statement over Early Life


In response to a question regarding how his life drove him to reserve Writer Bhaiya as a pen name unintentionally; as mentioned by him on his Instagram story, the beloved author Writer Bhaiya made the following statement:-

“I go by the pen name Writer Bhaiya online as a token of love, but as the proportion of people is cognizant, my forename is Aditya Singh stepped into the world at merely six months as a premature baby in Mumbai on October 2nd.


In the 20th century, my family immigrated to Mumbai from Bihar. I attended high school in Mumbai. As a young child, I caused trouble and was typically mischievous to everybody around me. I grew up to be a reserved person in school after a certain age as a response to childhood and generational trauma.


Everything in 2016 began abruptly as a part of my chaotic life when I began to express myself with a pen in my hand on a piece of paper after sobbing one day over not being able to express myself how I wanted to. As a teen, I started to compose Hindi Shayari and poems. I eventually started penning fictional short tales, poetry, and letters devoted to my friends with compassion and love. My life took unexpected turns in 2017, which bounded me to chronicle my suffering in a journal.


I joined Instagram in 2017. In 2018, I began sporadically sharing my writings on Instagram Stories. My composed piece of prose on stories caught the attention of my loved ones & acquaintances more often than in everyday life, where I would disguise most of my crafted work. As time passed, my acquaintances began referring to me as a WRITER. Pairing the title my companions drew me and the premise that I was a Bihari dwelling in Mumbai, some people alluded me as Bhaiya in an unkind and insulting manner, prompting me to share the title: — Writer Bhaiya as my PEN NAME.

In the years 2017 and 2019, I suffered from depression twice. I battled ADHD struggles for years without recognising it was ADHD, and have been dealing with anxiety and panic attacks for two years. Since 2018, I have produced unpublished works every year and have worked as a ghostwriter for a year on different platforms.”


Statement over Career


Writer Bhaiya outlined his family in regard to his story to a person in the group who hugged him and sobbed in front of him questioning; if people are worthy of lingering as writers despite disobeying their parents.


“My family was unaware of the outcome of fear I held to my heart to notify them that I had released my first book after penning articles for entities and ghostwriting for savings on the internet because I had never aspired in childhood to stand destined as an author.


In 2022, I published a book titled “The Cycle Of Reasons:- 24 Reasons” as everyone present here is aware.


In an effort to; safeguard one life, I penned 24 reasons to continue existing in the world and journeying as a wanderer in pursuit of serenity and tranquilly and to recognise his responsibility to others as a writer and a debut author. Follow where your heart leads you with your career,” says Writer Bhaiya implies them that they can if they have a lamp in their hearts.


Statement over Personal life


Adding to his previous answer, Writer Bhaiya said, “I was born in a Hindu Family. I had strong ties with my family while I was young, but as I became a grown-up, my ties with them were erratic and periodically unfortunate as the clash of trauma made me numb as a teen.”


In striving to retain a boundary among his personal, social, and professional lives, writer Bhaiya adheres to a professional code of ethics. As a response, he denied politely asking to refrain from such questions, which made limited information to be verified; about his personal life in general.


However, he is said to have a girlfriend who has been with him since they were in high school.


His depression in 2019 drove him to consider suicide a second time, and he disclosed as considerably on Instagram, saying that if the light didn’t break through the sea of his darkness, he almost gave up on life.

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https://avalanches.com/ar/buenosaires_la_otra_planificacin_es_posible5090123_23_11_2022

La Otra Planificación: ¿Es Posible?


Para quienes participan de eventos de participación pública en temas de planificación territorial y obras públicas, la conclusión al diagnóstico de múltiples males es sencillamente la "falta planificación", la cual es repetida en forma remanido, indistintamente de que se trate de proyectos en ciudades ricas o pobres, no importa la geografía o la cultura. No importa que se trate de explicar por qué la gente no accede al agua potable, las cloacas, el déficit habitacional, la reducción de riesgos de desastres, el crecimiento de la contaminación o las causas del cambio climático, siempre la ausencia de la planificación aparece como el gran culpable de todos los males. Para quien estudió planificación urbana y regional en los ´90s, cuando la planificación era denostada igualmente como la culpable prácticamente de todos los males, la ingenuidad en torno a la idea de que de la noche a la mañana el estado pueda resolver los problemas de producción y gestión del hábitat genera como mínimo, inquietud. Es que en verdad, la mayoría de los problemas urbanos no pasan realmente por las virtudes o defectos de la planificación territorial, sino por las verdaderas intenciones de los actores claves que llevan adelante tanto planes como marcos regulatorios. En otras palabras, la ausencia de planes puede no ser producto de ignorancia, sino precisamente resultado de una intención premeditada de evitar que actividades altamente rentables puedan dejar de serlo ante la irrupción de marcos regulatorios que generen mecanismos efectivos de justicia espacial.


Después de muchas idas y vueltas en la Argentina y en América Latina el enamoramiento con la planificación territorial llevó a empoderar su vocación heroica de derrotar la especulación inmobiliaria, la destrucción de los recursos vitales para la vida humana sobre el planeta y con la justicia socio-espacial. Pero una vez decantado el entusiasmo cabe preguntarse si esta forma de planificación es realmente posible. Una planificación que imponga reglas claras al progreso en un contexto de desigualdad creciente. Un sistema justo que establezca actividades, sectores industriales que pueden usufructuar los escasos recursos del planeta ante la falta de consenso entre naciones. Una planificación que, respetuosa del medio ambiente y la idiosincrasia y cultura local, priorice la construcción de infraestructuras verdes y azules por sobre las grises. Una planificación que intervenga en la promoción de los sectores más vulnerables de la sociedad para incluirlos en procesos de integración a la ciudad y a los territorios, a pesar de las mezquindades de los sectores más poderosos.



Estas dos formas de planificación, la noble e idealista que resuelve los problemas con justicia socio-espacial, frente a la otra, tramposa e hipócrita, más vinculada a legitimar los intereses particulares tanto de funcionarios públicos como empresas privadas, muchas veces son confundidas. Y en la confusión los enfoques, teorías y metodologías de ambas tienden a deslegitimarse mutuamente. Por ejemplo, aquellos vecinos que esperaban procesos transparentes y participativos para decidir si un barrio puede albergar edificios en altura, en línea con los postulados internacionales de la "Nueva Agenda Urbana" de densificar la ciudad, y los dictados del sentido común que indican que es mejor verticalizar el desarrollo urbano antes que extenderlo en horizontal al infinito, quedándonos así muy pronto sin planeta, dada la notables huellas de las metrópolis mundiales, cuando efectivamente ocurren suelen sentirse decepcionados porque contrariamente a lo que esperaban, la planificación promovió la construcción en torres en sus barrios. Igualmente es difícil de digerir para un intendente virtuoso que se ocupó seria y profesionalmente de sus vecinos sin vivienda mal alojados en barrios populares, que todos sus esfuerzos para "cazar" fondos de la provincia y la nación para el mejoramiento barrial termine siendo castigado en las urnas por los otros vecinos descontentos con el balance de su gestión. En ambos ejemplos se trata de vecinos y dirigentes bien intencionados: ¿qué podríamos esperar de aquellos que no lo son tanto? o al menos de aquellos que tienen prioridades claramente diferentes al resto de los mortales. Para quienes tienen cierta experiencia en la gestión pública es bastante claro que asfaltar una calle o cortar una cinta de inauguración de una escuela, un centro de salud o una vivienda es mucho más que satisfacer necesidades básicas de la población y que en realidad se trata inevitablemente de una forma muy concreta de obtener votos, legitimando el mandato de la ciudadanía, independientemente del marco ideológico en el que esto ocurra. Para muchos ciudadanos, esta realidad tan obvia pone en tela de juicio la legitimidad de los planes como ordenadores y articuladores de las necesidades y prioridades de la población con su materialización a partir de los recursos materiales y normativos disponibles. En otras palabras, paulatinamente se reemplaza la idea del planeamiento heroico al que hay que defender por el planeamiento coimero al servicio de intereses espurios al que hay que combatir y de ser posible reducir a su mínima expresión.


Ante este estado de situación cabe preguntarse sobre la viabilidad de planificar territorios en los que todos sabemos que existen desigualdades profundas de todo tipo, en los que la precariedad y el deterioro son procesos que se aceleran de día en día y que los factores de cambio climático y crisis del ambiente a nivel planetaria avizora que todo ira peor y que hoy como nunca en el pasado la supervivencia humana depende precisamente de la planificación. Los valores de la democracia nos invitan a pensar en que será la planificación territorial participativa la que permitirá empoderar comunidades haciéndolas de este modo más resilientes o capaces de adaptarse a los grandes cambios que se avecinan, pero la velocidad de los acontecimientos añadido a inquietantes señales de desinterés en dicha construcción de enormes sectores de nuestra sociedad invitan también a pensar en estrategias de aceleración de una conciencia global en torno a la importancia de planificar los recursos naturales para el uso y usufructo de la humanidad en su conjunto y a escala nacional, volver a pensar las fronteras de cada país y la forma de distribuir su territorio soberano entre quienes lo habitan.



Una planificación territorial realista y viable, sin perder su prestigio de promotor del bien pública y ética de impartir justicia requiere ser de conocimiento público. Difícilmente las gentes de ningún país, pueblo o ciudad, cuanto menos de una metrópolis en la que nadie se conoce entre sí y todos desconfían de todos, defiendan y demanden algo que en verdad no conozcan. Por esa razón es que es tan importante popularizar la lógica, enfoques y "modus operandi" de la planificación, no como trofeo de campaña para ganar elecciones, sino como recurso que permita medir la eficiencia y eficacia de las gestiones. Si la gente supiera que esos planes con las que son definidas las normas que les ponen límites a lo que pueden hacer y no hacer en sus territorios o en verdad están al servicio de sus intereses, tales como protegerles y promover su prosperidad, muy distinta sería la historia de nuestras ciudades. No se trata de aprender tecnicismos o formar académicamente mejor a la población, sino que fundamentalmente se trata de un problema de comunicación asertiva que convenza a las comunidades respecto a la visión de lo que se quiere alcanzar. Y en este punto, a pesar de los miles de talleres de visión que se vienen desarrollando en todo el mundo, paradójicamente pocos municipios tienen definidos una visión de su desarrollo territorial explícitamente vinculado al desarrollo socio-económico. Al contrario, la mayoría tiene visiones ideales en lo territorial que nunca se implementan que contrastan fuertemente con ausencia de planes generales ante iniciativas privadas muy concretas de establecimiento de actividades generadoras de grandes rentas a expensa del deterioro social y ambiental del resto de la sociedad. En esta dicotomía puede advertirse nuevamente la racionalidad de personificar a los planes y la planificación como responsables del desacople. Se demanda a la planificación territorial a intervenir en la reproducción de círculos viciosos de pobreza y marginalidad, pero segregándola de decisiones claves del desarrollo económico y social en los territorios.


La cuestión comentada aquí es que la viabilidad de la planificación depende en buena medida de su capacidad de incidir en los modelos de desarrollo social y económico. Y esto no solo implica que tenga una incidencia a nivel nacional, provincial y municipal, sino también a nivel multidisciplinario pues claramente no se trata solo de transformar la dimensión física del territorio sino necesariamente también lo social, lo económico y lo cultural. Es decir que, para que un plan sea viable necesariamente necesita ser multidisciplinario, multiescalar e integral. No solo dice que hay que hacer, sino también donde, cuando y quien debería hacerlo, con que recursos y como se financia en el tiempo. Y una vez resuelto todo eso, debe comunicar en forma sencilla y directa lo que el plan se propone, a quienes representa y la visión que propone del territorio deseado, al menos de deseado por los actores que promueven el plan. El plan nunca debe ser un producto privado o al servicio de individuos o de conglomerado de intereses, sino que debe ser transparente, abierto y atractor de nuevos actores, en un proceso de suma de voluntades no por acuerdos trasnochados y oportunistas, sino por la conveniencia y beneficio de muchos. Los plan deberían ser obligación de confeccionarse y actualizarse en todos los municipios latinoamericanos ya que de ellos dependen en buena medida el impacto de las obras públicas, las calles por las que todos los días circulamos, las escuelas y hospitales a los que acuden nuestros hijos y padres y la protección del ambiente que no podrá gozar nuestra descendencia si no actuamos rápidamente.

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